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　　The dragon and phoenix patterns in animal prints are very common decorative motifs. The dragon is an ancient legendary animal. It is said that it can turn over the river, swallow the clouds, and cloud the clouds. It is even a vast magical power. The dragon is a symbol of the gods, authority and honor. The ancients compared the emperor to a dragon, and believed that the emperor is the embodiment of the dragon, so since ancient times there has been a true dragon. Now we also regard the dragon as a symbol of our Chinese nation. We are the descendants of the dragon. Generally, the dragon's ornamentation on porcelain is also divided into the official kiln and the folk kiln. Although it is not absolute, there are also "the official kiln dragon five claws, the folk kiln dragon three claws or four claws". Phoenix began in the "Book of Songs", originally known as "Fenghuang", Feng and Dragon, in the legend is a very magical animal, the same as the ancient auspicious animals. "The god of the destiny, descending to the business", shows that the mysterious bird is the totem of the merchant, in ancient times, the phoenix bird is the representative of the bird totem.

　　Wraps are representative of plant patterns. Wrapped lines are also called "turning branches" and "Wan Shou Teng". It is a traditional auspicious ornament based on vines and rolls. The "wounds" expressed by the wraps are often based on vines such as ivy, euonymus, wisteria, honeysuckle, ivy, locust, and grapes. It is euphemistic, lively and beautiful, and dynamic, so it means a long-lasting and endless desire.

　　In addition, the old three friends pattern is also a typical plant pattern. Usually the theme of pine, bamboo and plum is the subject of literati painting. Bamboo, clear and seasoned, rather unyielding, open-minded; pine is the length of the hundred wood, not withered in winter; plum cold and flowering. It is often used in the literati paintings to symbolize the gentleman's Gao Fengliang Festival. Influenced by its influence, it has often been used as a decorative theme for porcelain since the Song Dynasty.